The Suzuki Method is a rigorous physical and vocal discipline for actors, created by renowned theater artist Tadashi Suzuki and his company. This method is designed to regain and refocus the perceptive abilities and powers of the human body. Drawing on a unique combination of traditional and innovative forms, the training strives to restore the wholeness of the body as a tool of theatrical expression.

Viewpoints is a technique of improvisation first articulated by choreographer Mary Overlie who broke down the two dominant issues performers deal with – time and space – into six categories hence the name, Six Viewpoints. Her work represents a non-hierarchical post-modern approach to theater training. Since then, Artistic Director Anne Bogart and SITI Company have adapted the Viewpoints to serve as a basis for their training. Viewpoints allows a group of actors to function together spontaneously and intuitively and to generate bold, theatrical work quickly. It develops flexibility, articulation and strength in movement and speaking, and makes ensemble playing a reality.

Afternoon classes alternate between Anne Bogart's Composition class and additional aspects of creation and performance including Speaking in Practice, Movement, Dramaturgy, and Playwriting or Design. Major theories from art forms such as music, painting and architecture are applied to the creation of new work for the stage. This work involved cross-disciplinary cooperation and application of new ideas and approaches. Each participant is expected to generate and perform in compositions. The remainder of the evenings and weekends are spent in rehearsals, symposia, or specially arranged classes with guest artists. Participants are expected to attend all classes and be available for weekend rehearsals on campus. SITI's training is physically challenging. Applicants should come in good health prepared to work hard. Those who have questions or concerns regarding their participation should contact the workshop office and their own physician.